Posts Tagged ‘Connecticut Children’s Photographer’

OK, so you bought the DSLR. It’s big. But you are still getting the underexposed pictures at the beach where your kid looks like she’s standing in a deep dark shadow while the ocean looks bright and beautiful behind her. This is starting to annoy you. What to do?

Taking Better Snapshots:  Part 1:  Learn to Shoot in Manual

Part 1: Take the camera off auto, put it in manual and learn to read the in-camera meter (or buy a separate meter or get very very good at eyeballing it).   Otherwise, you have a very expensive point and shoot.

When you look in the view finder you’ll see a grid thus:

| | | | | | | | | | | | | | | | |

The one in the middle is “correct” exposure, but for close ups of pale skin you actually want the slider a bit towards overexposure because some people are just whiter than the percentage of grey that the camera uses to determine “right”.

Part 2: Once you are in Manual get a stuffed animal or an apple or anything less mobile and more patient than a child and start taking lots of pictures, changing the ISO, f-stop and shutter speed settings for each one to see how the triangle of exposure changes the final picture.

ISO is how fast the film will record the picture. The higher the number, the faster the film. The lower the number, the crisper the picture will look.

F-stop is how wide your aperture is.  The wider the aperture, the smaller the number.  f/1.8 is a wider aperture than f/5.6.  The wider the aperture the more light will be let in, the shallower the in focus area will be, and the more the background will be out of focus.  It’s hard to nail your focus with anything smaller than 4.0 until you practice rather a lot.

Shutter speed is how long the camera lets in light. My hand is too shaky to handle anything below 1/125 th of a second.  The loose rule of thumb is take the size of your lens (say, 50mm), double it (to 100) and make sure your shutter speed has that number as the lowest denominator (1/100).

Part 3: Practice with your kids on an easy lighting day.  What’s easy?  Overcast.  When the sun is behind the clouds you won’t have to worry about shadows in their faces, bright sun patches behind them or backlighting.

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Holiday Mini Sessions

July 2, 2010

I am scheduling two days of mini-sessions for the holidays. These are 20-30 minute short sessions geared directly to getting you one or two shots for holiday gifting and cards (and though printed cards are not part of the package I do have a selection of templates you can use to order cards should you so desire. The templates can be viewed HERE.)

Your mini-session includes:

  • Electronic pre-consultation. This is, I admit, impersonal but it helps to make sure that those 5-10 shots are the ones you are looking for and I’m not shooting blind, which is awkward in photography.
  • 20-30 minute session. This is significantly shorter than a regular session but kids are often pretty fabulous within the first 10 minutes and quite done by 40. Obviously, there won’t be sleeping newborn “Simply Babies” shots in this mix.
  • 5-10 proofs from which to choose. Regular sessions start at 20 and are usually 30ish. Mini sessions, being mini, obviously have fewer pictures.
  • Online ordering. I have done away with online ordering for all but mini-sessions because it was known to make people want to throw their computers across the room, preferably at my head. However, keeping mini-sessions as streamlined as possible helps me to keep the costs down. If, however, the software makes you want to scream and throw things at me we can do a phone ordering session instead.
  • 11×14 (or smaller) portrait.
  • 10 desk prints (8X10 or smaller). All prints must be the same size and same image. 8X10 prints are $65 a-la-carte so this *poof* is a $650 value in one line item.
  • 50 4X6 prints (same image) OR 1 digital negative (cropped to 4X6 at 300dpi). Whether you have me print them or opt to print them yourself, photos are the piece de resistance of holiday cards and gains you 5 points in the Swistle Thistle holiday card scoring game. Order an extra set of bulk 4X6 prints for 2 more points





August 28th   September 25th
West Hartford Center   Westmoor Park
$350*   $495
Click HERE
to reserve a time in August
   Click HERE
to reserve a time in September

*Yes, it’s cheaper in August. No, you don’t get less stuff. I start to get very busy in late September and go flat out through the end of November so if you go early and aren’t tucked into my busiest time, you get a discount.


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This was one of those childrens’ portrait sessions I was really grateful at the end it wasn’t my kids because there is simply no way I couldn’t have every single one of these. It was s fun mix of film – love that film look – and digital for these. I adore working with film and am always thrilled to have a client who appreciates the special feel of a film portrait!

Of course, my kids never actually cooperate like this. Mine aim more for the “running away from the camera as fast as my legs with shoes on the wrong feet will go” look. Since if they consistently gave me portraits like THESE my house would be wall-papered with photos perhaps I should be grateful.

Simsbury Children's Portraits by Stacie Turner Photography

Simsbury Children's Photography

avon connecticut boy in photo

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My Kid Again

June 26, 2010

Just my own girlie hanging out in a field in a tutu. This is another in my “kids via holga” series.

Children's Portraits via Holga

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A Day in the Life

June 23, 2010

Just one from the A Day in the Life at the Cobb School. This was a full day of shooting, following this little Miss around her preschool as she washed windows, painted, prepared herself a snack, played with her friends, sang songs and more.

children's lifestyle photography in Connecticut

Your album should be ready in a few more weeks!

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Now and again things happen at photography sessions that make one laugh, though usually not until a bit later after a glass of wine or two. A small sampling…

  1. I was doing a very casual portfolio building shoot of a friend’s 3-month old son at my house on my back deck. She took her glasses off to get some pictures holding her child without the specs and my own child grabbed her glasses, broke them, and dropped them under the deck. We had to fish them out (or rather, I did, as she really is basically blind without her glasses) using a hook AFTER we located where they were by peering through the wooden boards at the assorted dead leaves below. Finding patterned brown glasses in dead leaves with almost no light is, well, interesting. I told her to let me pay for new ones. Did she? No. They are STILL taped together and that boy is 18 months old now. Every time I see them I feel glasses-guilt. Lesson learned: don’t ever try to do even the most casual shoot with your kids around. This just doesn’t end well.
  2. I did a maternity session for one woman and was doing a set of rapid fire pictures, one after another, of the same pose. When I went back to proof the pictures, as I flipped from one to the next, I realized I could see the baby shifting around inside her womb and causing her abdomen to change shape. I’ve also had a woman have contractions during the shoot; she was a trooper and hiked all over West Hartford Center – in high heeled boots – pausing only briefly during contractions. She admitted she hoped the walking would bring on full labor. No such luck. I did, however, once have a mother go into full labor about 5 hours after our session.
  3. Babies pee on my ALL THE TIME. It’s just part of the job and one reason I wear very casual clothes to shoots. Only once, however, did I manage to actually catch an arc of pee in the air when I pushed the shutter RIGHT as the baby peed. If this happens to you I will add a complimentary 4X6 of that shot for you to tuck away until your child’s wedding rehearsal dinner when you can add it to the slideshow of cute childhood pictures. This will be payback for the sleep deprivation.
  4. At a wedding I once, camera gear hanging from my neck, jumped down a river bank to grab a blow-away ketubah that the wind had snatched and was attempting to introduce to the water, not 15 minutes after every single person in the family had signed it. This was not in the fine print of “How to be a wedding photographer.” I’ve also helped a bride into her dress, which eliminated any sweet “the bride getting dressed” shots but ensured that she actually DID get zipped into her dress.

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Everyone wants pictures of their kids. Good pictures, bad pictures, doesn’t matter. We adore our children and want to capture every last moment as we feel that clock inexorably moving forward. Yesterday they were babies, then they sat up. Can that be MY child riding a scooter? We document their lives with professional portraits and iPhone snaps and home movies and tend to forget one thing.

We are part of their lives.

Women always say to me “Oh, I don’t want to be in any. I didn’t do my hair. I’m not wearing any makeup. I need to lose 10 pounds. Or 20.” No, you probably don’t need to lose 20 pounds and I’m sure you look gorgeous without makeup and, more to the point, you are in your kids lives looking just the way you look, right now. You need to be in the pictures. You are creating the photographic story of your child’s life, from the snapshots to the portraits, and when you look back you will see a narrative connecting them that you didn’t even realize was there at the time.

I know the odds are good that you are the family photographer and can claim “well, I’m not in them because no one else can take a picture.” I know this because this is my excuse. Or maybe you duck behind a tree when the family photographer comes out waving his or her camera claiming those 20 pounds or lack of lipstick as the excuse. I know that you feel uncomfortable in front of a camera. It’s hard to have your picture taken. But if you don’t get in front of that camera that photographic narrative won’t include you. There will be no photo you can show your adult children of you loving on them at 5 days old. No photo of you laughing with your 2-year-old. No photo of you with all of your children smiling at you because they adore you. Hand your partner the camera and get some snapshots with you in them. Next time you have a portrait session tell the photographer to make sure you are in some of the images. Because you ARE part of the story of your children’s lives. You need to be in the pictures.

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People ALWAYS want to know how to dress their kids. Little boys in tank-tops and jeans are about as cute as it gets. It gives them the freedom to show me the bugs they find (and, err… your kids will probably end up dirty after a photo shoot with me – best not to plan a fancy dinner directly afterward) and to sit in the mud or climb a tree. Of course, I’m perfectly happy to send a girl in a linen dress into the mud too but there is just something about a little boy in a simple shirt and jeans that evokes timeless childhood innocence in a way that ties and button down shirts just don’t.

on location children's pictures

Too sweet picture of little boy

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Lovely Young Woman

May 31, 2010

SUCH a beautiful girl. This young woman was one of the models at a workshop I went to recently and she was just amazing. I love getting to work with girls this age. They are so self-possessed and just hovering on that paper thin line between childhood and adulthood and over the course of a session you can see them go back and forth between the two.

Fine Art Portraits for Children and Families

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I went to my first photography workshop this weekend and I’m still recovering. The other photographers were awesome and I ate brains.

No. Really. Jen Snyder, who is my long lost dork twin, ordered “lobster with sweet breads” at dinner the first night. Sweet breads are brains. Who knew? She didn’t, and neither did I. They taste like garlic.

Back to the photographers. Summer was so much fun. She does some of the most beautiful color newborn work I’ve ever see and she can get joy out of the most recalcitrant child. Leiba was the coolest, most inspiring wench imaginable and Zoe, who organized the workshop, shoots the most beautiful scenes and intimidates the hell out of me because she is just that good. As for the teacher, well, I am Cheryl Jacobs‘ crazy stalker and some day she’s going to find me living under her porch so I can pluck every last bit of knowledge from her brain.

Brains. Mmmmmm….

So, we took a lot of pictures – go figure at a photography workshop – and this particular child was one of my favorite models because she was such a bit of mischief. And those freckles!

Portraits by Stacie Turner Photography

I call this one “Her Ladyship Sits for Her Portrait.”

Connecticut Children's Photography by Stacie Turner Photography

Fine Art Children's Images by art photographer Stacie Turner

Expect more of more kids as the days go by…

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